Lawrence Wilson Art Gallery
General Public, Faculty/Staff, Students, Alumni
‘Talking Allowed’ is a new series of presentations offered by the UWA Institute of Advanced Studies and the Lawrence Wilson Art Gallery.
On the second Tuesday of every month, a UWA academic will give a short presentation on a topic of current relevance to the arts and culture before inviting the audience to participate in discussion and debate.
‘Talking Allowed’ is designed to be thought-provoking, challenging, stimulating and engaging. Come along and join the dialogue on matters that are of great importance to our society.
Visual Influences on Legislation: Culture Jamming the Perth Modern School relocation proposal
Culture Jamming is defined as a movement that mixes politics with graffiti, and satire with paint. Said by some to scramble "... the signal, injects the unexpected, and spurs audiences to think critically and challenge the status quo", this presentation, by Professor Camilla Baasch Andersen, UWA School of Law, and artist Desmond Mah examines a new way for law and visualization to intersect. We showcase some of the many artistic works produced by artists and children to protest the recent proposal to relocate Perth Modern School to an inner-city high-rise, as well as jamming sites which promote racial equality, and ask the question: Is this controversial way of visually expressing public resistance and opinion effective in influencing legislation? Should it be?
Details: 13 June, 1pm-2pm | Lawrence Wilson Art Gallery
The Arts, the Law, and Freedom of Expression (with one eye on that cartoon)
In 2016, Bill Leak’s controversial cartoon generated widespread debate about free speech and racism in Australia. Following Leak’s death on March 10, and in light of proposed amendments to Section 18C of the Racial Discrimination Act, those debates have resurfaced and intensified.
In her talk, ‘The Arts, the Law, and Freedom of Expression (with one eye on that cartoon)’ Jani McCutcheon from the UWA School of Law spoke to a number of ethical and legal issues that underpin the complex relationship between the arts, the law, and freedom of expression.
Over the last two years and with the rise of the citizen photographer, there have been radical changes in how we respond to photographs and images, particularly those that reveal unimaginable suffering. Whether it is a photograph of the lifeless body of Aylan Kurdi washed ashore near the Turkish resort of Bodrum, the images of Dylan Voller spit-hooded and shackled to a restraint chair, or the photograph of the Muslim woman amidst the carnageon Westminster Bridge, images appear to have acquired a new status in their capacity to prompt indignation and action. Which images can we say have changed the course of history? And what makes an image powerful at a particular moment? In her talk ‘Seeing Allowed?’, Professor Jane Lydon (Wesfarmers Chair of Australian History) spoke to a number of issues that surround images of suffering. While it would seem that in 2017 photographs and images are becoming central to socio-political and ideological tensions, Professor Lydon explored whether or not real change can be wrought by harrowing images of suffering.